Noah Frese’s painting is neither drunk with form nor euphorically overloaded. In his artistic activity, the artist tends to carry out a process of omitting rather than adding. This gives Noah Frese’s compositions an aesthetic dimension of minimalist simplicity and essentiality. Alongside the memorable figures, monolithic monuments dominate the scenery. With his Bauhaus-influenced stylistic devices, the artist refers to their character of the monument and in the interaction of his introverted figures and the contrasting monochrome color scheme typical of his effects of alienation and contemplation. Although his painting is minimalist in character, he creates in his works an alternative to the meticulous precision of perfectionism.